"A consistently clear, comprehensive and accessible introduction which carefully sifts Foucault's work for both its strengths and weaknesses. McHoul and Grace show an intimate familiarity with Foucault's writings and a lively, but critical engagement with the relevance of his work. A model primer." -Tony Bennett, author of Outside Literature In such seminal works as Madness and Civilization, Discipline and Punish , and The History of Sexuality , the late philosopher Michel Foucault explored what our politics, our sexuality, our societal conventions, (...) and our changing notions of truth told us about ourselves. In the process, Foucault garnered a reputation as one of the pre-eminent philosophers of the latter half of the twentieth century and has served as a primary influence on successive generations of philosophers and cultural critics. With A Foucault Primer , Alec McHoul and Wendy Grace bring Foucault's work into focus for the uninitiated. Written in crisp and concise prose, A Foucault Primer explicates three central concepts of Foucauldian theory-discourse, power, and the subject-and suggests that Foucault's work has much yet to contribute to contemporary debate. (shrink)

The paper works through the topic of ‘theorising’ as it has been treated in ethnomethodology. It is concerned to show that the topic has a somewhat equivocal status within that discourse; that some recent self-critical moves in ethnomethodology which have been touched off by considering these problems constitute no more than further uncritical repetitions of that discourse; that ethnomethodology's critics have been concentrating unnecessarily upon its supposed ‘idealism’ and have missed a central trouble: that ethnomethodology is an overly realist form (...) of social scientific work. (shrink)

In Semiotic Investigations, Alec McHoul develops a theory of meaning that he calls "effective semiotics" - a theory that investigates "the ways in which signs have meaning by virtue of their actual uses." McHoul expounds his theory of effective semiotics - of "meaning-as-use" - in a series of provocative chapters on diverse topics. He begins by examining the relations between semiotics and history and between semiotics and specific communities. He elaborates on the nature of these relations by demonstrating the "effective (...) semiotics" of a particular photograph from the 1880s, episodes from the film Singin' in the Rain and the Batman comics, literary works, children's primers, popular accounts of science, and many other objects, artifacts, and experiences. Semiotic Investigations advances its own comprehensive theory of signs while ably examining works by such distinguished philosophers and theorists as Nietzsche, Wittgenstein, Derrida, Foucault, Habermas, Lyotard, Kuhn, and others. Yet the book is also down-to-earth and clearly written, with an eye towards a startling range of "ordinary" and "uncommon" experiences. It will be required reading for linguists, philosophers, semioticians, anthropologists, literary theorists, and students of cultural studies. (shrink)

SummaryThe paper is a critique of Moore's conception of common sense – a conception based on two central propositions. The critique is specific and textual in character but turns generally upon the difficulties inherent in Moore's attempt to articulate definite propositional grounds for common sense knowledge. By contrast, the discourse of the critique favours a praxiological conception of common sense and so proceeds to show how Moore's propositional conception itself emerges from certain textual and discursive techniques.RésuméCet article est une critique (...) de la conception de Moore du sens commun , conception basée sur deux propositions centrales. Cette critique a un caractère spécifique et textuel mais elle débouche sur les difficultés générates inhérentes à sa tentative ?on;expliciter des fondements propositionnels définis pour la connaissance du sens commun. Au contraire, le discours critique adopte une conception praxéologique du sens commun et montre comment la conception propositionnelle de Moore se construit à partir de certaines techniques textuelles et discursives.ZusammenfassungEs wird Moores Auffassung des common sense kritisiert, die auf zwei zentralen Behaup‐tungen beruht. Diese Kritik ist spezifischer und textlicher Natur, erstreckt sich aber allgemein auf die Schwierigkeiten, die Moores Versuch, bestimmte propositionale Griinde für Common‐sense‐Erkenntnisse zu artikulieren, eigentümlich sind. Im Gegensatz dazu begünstigt der Verfasser eine praxisorientierte Auffassung des common sense, indem er nachweist, wie Moores Auffassung selbst aus gewissen textlichen und diskursiven Techniken hervorgeht. (shrink)